As I continue my development and establish what I hope is my carving identity I continue to study all variables to the human form and continue to work on expression and flow. The carving at the left is a study bust done in this process. For this bust I wanted to push my envelope by working on hair, eyebrows, head proportions, and expression.
Along the way I have studied with many a carver as well as study carvings looking for something I have missed. For those who are new to Caricature Carving, you will find that your style will be a composite of all who have influenced you along the way. Eventually you will settle on how you would like to do it and you will find that after a while most carvers will be able to identify your work just by examining a carving.
As most of you know a carving is made up of several cuts that combined as a whole create the composite. A good example of this is the use of triangle cuts at the corners of the mouth. Good use of these cuts make the mouth more believable and realistic. When creating carvings I strive to make all the components believable. I have found that if I examine a carving I can easily be distracted from the carvings composition by something that "ain't just right". When this occurs the I am unable to focus on the message. This can turn a humorous composition to just an okay piece. In the case of the carving above I am satisfied with the overall look however when it comes to expression the eyes are the centerpiece and on this carving they appear devoid of emotion, that was not what I was going for. This is something to work on...
Along the way I have studied with many a carver as well as study carvings looking for something I have missed. For those who are new to Caricature Carving, you will find that your style will be a composite of all who have influenced you along the way. Eventually you will settle on how you would like to do it and you will find that after a while most carvers will be able to identify your work just by examining a carving.
As most of you know a carving is made up of several cuts that combined as a whole create the composite. A good example of this is the use of triangle cuts at the corners of the mouth. Good use of these cuts make the mouth more believable and realistic. When creating carvings I strive to make all the components believable. I have found that if I examine a carving I can easily be distracted from the carvings composition by something that "ain't just right". When this occurs the I am unable to focus on the message. This can turn a humorous composition to just an okay piece. In the case of the carving above I am satisfied with the overall look however when it comes to expression the eyes are the centerpiece and on this carving they appear devoid of emotion, that was not what I was going for. This is something to work on...
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